3rd edition of the Festival in the City

May 29th to June 6th 2004

Sufi Nights

- Free entrance -


Concerts' Program

Tariqas' presentation


Sufism

Sufism is the inner dimension of Islam and is the "way of the heart".

In this context, the heart is the human faculty described as neither rationality, nor sentimentality; It is the faculty which allows a person to perceive the vibration of the Divine Presence in the midst of the world and of life.

In order to attaché oneself to the heart in permanent contemplation, Sufism is organized into brotherhoods (turuq, or "ways", the singular is tariqa). Each tariqa has developed its own methods of initiation, practices and symbolisms, based on Islam and the Koran. These practices allow one to reach and purify the "heart".

Amongst the rites performed in groups, there are recited or silent litanies, intellectual meditations, singing, music, dance, and sometimes ecstasy which is expressed by the "Hadra" (the "Presence").


Concerts' program

 

Saturday May 29th - 11:00 PM

  • Tariqa Ouazzania - Addakirin Group (Ouazzane - Rabat)

 

Sunday May 30th - 11:00 PM

  • Tariqa Jilalia (Rabat)

 

Monday May 31st - 11:00 PM

  • Tariqa Aïssaouia - M'Kaddemin selection (Fes)

 

Tuesday June 1st - 11:00 PM

  • Tariqa Ktania - Saad Temsamani (Tangier)

 

Wednesday June 2nd - 11:00 PM

  • Tariqa Haraquia - Fakirat Group (Tetouan)

 

Thursday June 3rd - 11:00 PM

  • The Saqallya Khamrya (Fès)

 

Friday June 4th - 11:00 PM

  • Tariqa Hmadcha (Fès)


Saturday, June 5th - 11:00 PM

  • Goubbahi of the Debbaghas (Tanners' corporation) (Fes)

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Tariqas' presentation

 

Tariqa Ouazzania - Groupe Addakirines (Ouazzane - Rabat)

It is reported that the great theologian Mohyidin Annawawi Achafiyi (13-14th C.), coming from the East, established a zaouia (Sufi lodge) in the Algerian desert which he called Zaouia Touat. The disciples gathered there for the prayers, devotional singing (sama') and the recitation of a devotional ode called Hizb Touat. Later another zaouia was founded in Morocco, among the Tazarine tribe. Subsequently, the Cherifs of Ouazzane, beginnging with Moulay Abdellah Cherif (17th C.) and continuing with his descendents, perpetuated the recitation of the Hizb Touat and of deveotional singing (samaa). Eventually, several other zaouias appeared in the urban centers of Morocco, including five in the city of Fès.

Tariqa Jilalia (Fès)

The Jilalia Sufi order is a spiritual path that is widespread in the Muslim World. It was founded in the 12th century by the great saint Moulay Abdelqader Jilani in Iraq. He is considered to be one of the most eminent theologians and Sufi masters. The centers attached to his school propagated themselves widely, especially in the Islamic West. The Jilalia path, also known as the Qadiria Kadiria, gives great importance to spiritual realization by means of the practice of dikr (invocation, remembrance of divine names and formula), of samâa (devotional singing) and the continuous search for nobility of comportment. The groups of the tariqa uses musical instruments during their sessions of sama', such as the bendir, the qasba, and the tbel The group animating this allaila (the evening), is composed of the Moqaddem Abdelkhader Mouiha, the performing artists Mohamed Kassab, Abderrahim Marrakchi, Daoudi Kacem Benjelloun, and Messari Idriss. This will be a lovely evening marked by kassidas (poetic odes) and songs in praise of God.

Tariqa Aïssawas - a selection of the M'Kaddemines (Fès)

The Aïssawa religious brotherhood, which goes back to Sheikh Mohamed Ben Aïssa, who passed away in 1526 in Meknès, derives its origins from the Sufi tradition. At his death, his disciples continued the education of the mouridins (devotees) whose principal activity consisted of reading and reciting the Quran and chanting hymns in praise of the Prophet Mohamed. The music and chants of the Aïssawas, practiced with percussion instruments, large trumpets and voices, divided into soloists and choirs, are known for their therapeutic virtues and their ability to provoke spectacular trances among the participants. The great celebration of the cult of the founding sheikh, which takes place every year on the occasion of the holiday marking the Prophet's birthday (mouloud), is an impressive event which brings together all the members of the brotherhood, who come from every corner of Morocco. Under the influence of malhoun and the Arab-Andalusian musical tradition, the music of the Aïssawas of Fès is more refined that that of the other Moroccan branches of this Sufi order.

Tariqa Kettania - Saad Temsamani (Tangier)

Having been plunged since his youth in the vast heritage of the songs and music of Sufi brotherhoods, Saâd Temsamani is depository of a knowledge specific to Morocco. Grandson of the sheikh Mohamed Temsamani of Tanger, he was initiated to Sufi songs in the context of the Kettania zaouïa and later completed his apprenticeship by studying Anadulsian music. Under his direction, the Kettania brotherhood group will present a diverse collection of traditional spiritual songs of the Sufi tradition as it is perpetuated in the zaouias of Morocco.

Tariqa Harraquia - Faqirates Group (Tétouan)

Founded about two centuries ago, by the saint Sidi Mohamed El Harraq of Tetouan, disciple of the saint Moulay Larbi Darkkaoui, this Sufi order is currently lead by the saint Sidi El Ghali Harraq grandson of the founding sheikh. Every Friday, reciters and musicians gather at the zaouia for religious singing and the hadra (sacred dances). These séances may sometimes include intellectual discussions around Koranic or Sufi texts. It is one of the few Sufi orders in Morocco where the utilization of melodic instruments is associated with the ritual of sama' (devotional signing).

The Khamria Sakaliya (Fès)

The Skali Cherifs (descendents of the Prophet) of Fès can be traced back to the saint Moulay Ahmed Skali, whose tomb is much venerated in this city. He was a great Sufi of the end of the 17th century. The zaouia of Moulay Ahmed Skali has for centuries been one of the meeting places of the great figures of Fès in search of spirituality and devotion. There one can engage in the regular practice of dikr and séances of sama'. These typically culminate in the practice of the Sufi Khamria (or hadra), a kind of corporal expression of spiritual ecstasy.

Tariqa Hamdouchia (Fès)

The Hmadcha brotherhood or Sufi order goes back to the saint Ali Ben Hamdouch, who lived in the 17th century, under the reign of the Moroccan sovereign Moulay Ismaïl, a contemporary of King Louis XIV. The lila (evening) begins with the traditional entry of the flag bearers of the brotherhood, accompanied by incantations and praises to the Prophet. Then qasidas (poems) are chanted. The songs and dances grow in intensity, attaining their paroxysm, only to begin again by renewed invocations and incantations.

Goubbahi des Debbaghas

The Debbagha ensemble, rooted in the tanners guild, makes use of a repertoire of songs and rhythms called goubbahi which is related to the malhoun style, so well-known in Morocco. Al malhoun is the most elaborate form of versification in Moroccan Arabic dialectic. The origins of this vast corpus of poems, which oscillates between the popular and the scholarly, preserved by means of singing traditions and manuscripts, goes back to the 12th century, in the region of Tafilalet, in the south of Morocco. The most ancient roots of malhoun can be traced back to the period of the Almohades dynasty when itinerant bards, appreciated for their panegyrics and recitations of early Islamic history, embellished by the multiple additions of popular imagination. Later, attracting the attention of urban scholars and men of letters, the malhoun incorporated elements of classical poetry and Andalusian zajal (rhymed prose). The malhoun qasida explores diverse themes of social and religious life, and in this latter domain these poems express a range of manifestations of faith, through invocations of Allah and eulogies to the Prophet. Under these latter aspects, solid and ancient ties are preserved with the religious brotherhoods, links which quite often overlap with those woven between craft and trade guilds.

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© 2004 Festival de Fès des Musiques Sacrées du Monde - Conception, Design: H. CHAHID - PIXIS Ingénierie