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2005 - 11th edition

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Collective Exhibition of Contemporary Art: F. Bellamine, M. Boujemaoui, H. Slaoui, A. Yamou – Fès-Saïss Gallery (Festival Office)
 


From 3 to 25 Juin
Official opening 5 P.M. Saturday 4 June

Fès may be a city of art and culture, but paradoxically it suffers from a distinct lack of infrastructure when it comes to venues and institutions dedicated to promoting contemporary art. This city of creativity would do well to endow such places as well as promote its own artistic production as was the case in the past, and reclaim its position as a meeting place of the arts.

To this end, the Fès-Saïss Association has renovated one wing of its home, Dar Tazi, and consecrated it to art and cultural life. This space will be the primary art gallery in the city, and carries the name ‘Galerie Fès-Saïss’. Safeguarding part of this exceptional piece of architecture and giving it a new vocation is not only to contribute to the enrichment of our heritage in this place of memories, but also to participate in the spirit of patronage which is giving a new look to art and culture in our country. Exhibitions, seminars, meetings, debates will be organised here, all year long. Artists, photographers, architects, designers can all exhibit their works.

The Fès-Saïss Gallery will be inaugurated with an exhibition of a collection of the works of Fouad Bellamine, Mustapha Boujemaoui, Hassan Slaoui and Adberrahim Yamou.


Fouad Bellamine


(…) The paintings of Fouad Bellamine will catch you by surprise … whether the painting itself, the quest for light expressed in the picture, whether real or imagined. His work is about attitude, about the artistic engagement of the artist who makes his painting the heart of the enigma where the key might be hidden in a detail, in a colour, or in the very light of the work … in which only observation can detect .(…)


Mustapha Boujemaoui

Since the 1980s, Mustapha Boujemaoui has been exploring the universe of specific objects (whether common or sentimental) in the cultural environment in order to integrate them into his artistic project where the objects become philosophical. It was in 1986 that he started the first printing on glass as in old pictures (the imaginary gardens). The Rabat public were able to view the series of glassware from 1992. In 1993 he explored tea as a pictorial material and as a subject at the same time. The glass picture is more and more tied in with the tea picture. The artist takes us into a universe where we can no longer distinguish between the glass of tea or the artist’s tea …


Hassan Slaoui



The work of Hassan Slaoui emanates from the witnessing of a fugitive moment in eternity. Throughout his quest for the origin, he has concerned himself with time that is incarnated in the medium, the medium on which has been etched the circumstantial flux of time, a living outline. In the bringing together and the taking apart, the materials are not just simple props, but through this treatment, become a vehicle for the senses and therefore the construction and destruction become interchangeable. They no longer oppose each other but arise from the reality of their intricacy …


Abderrahim Yamou - « Envol des graines » (Seeds Taking Flight)



Throughout my work on the vegetable kingdom, it has always been a question of being inspired by that which is alive, exploring the shafts of light that pierce through leaves, fathoming that essential energy traced in knotty branches, disentangling leaves, twigs and branches interlaced into arabesque forms over the long path to stylisation .

The current work is about seeds as the first fruits of future plants, like the round particles on the way to becoming the original humus, like the floating shapes that restructure space to introduce a dimension of air. The seeds in flight are suspended above a space that oscillates between full and empty, between abundance and waiting. These floating seeds destroy that which exists and place the work in a flexible space that is fecund, hybrid .


   

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