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TENGIR TOO :
Music of the Kirghiz Mountains
Music and Songs from Kirghizistan
Artistic Director: Nurlanbek Nyshanov
jighach
komuz,temir
komuz, sybyzgy, chopochor, qyl
qayak
Gulbara
Baygashkaeva – komuz,
temir komuz
Zayniddin
Imanaliev – vocals, komuz
Rysbek
Jumabaev – epic
bard, manaschi
Kenjegul
Kubatova – vocals,
komuz
Asylbek
Nasirdinov – komuz
Azamat
Otunchiev - komuz
With
the support of Aga Khan
Trust for Culture
AND
The Aga Khan Music Initiative in Central Asia (Akmica)
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TENGIR TOO |
Kirghizistan
is a country of high plains and plateaux
within the borders of China , Kazakhstan
and Tadjikistan and whose capital is
Bichkek. The Tengir Too Ensemble takes
its name from the mountain range which
stands sentinel along the borders of
Kirghizistan and China . These mountains
are probably better known by their
Chinese name, the Tien Shan Mountains
, or the Celestial Mountains .
Founded
and directed by the composer, arranger
and multi-instrumentalist Nurlanbek
Nyshanov from the town of Naryn , the
Tengir Too Ensemble presents the various
aspects of Kirghiz music. This music
has its roots in the heritage of nomadic
peoples who for centuries wandered
this vast landscape of mountains, lakes
and pastures.
Regrettably, Kirghiz
music was largely lost during the Soviet
period or was rearranged along European
and western lines. Nurlanbek Nyshanov
has been striving to restore its integrity
and authenticity, not necessarily to
reproduce it strictly as it was, but
by being innovative and creative. With
his talents as a composer, Nyshanov
has fashioned exquisite arrangements
for small groups where formerly a work
would have been performed only by soloists.
He has recently been working with Rysbek
Jumabaev, well-known storyteller and
narrator of the Kirghiz epic Manas,
and with artists involved in the Silk
Road Project, founded and directed
by cellist Yo-Yo Ma, to create a modern
version of this legendary story. This
production of Manas was performed
at British Library and at Carnegie
Hall, with the support of the Aga Khan
Music Initiative in Central Asia (AKMICA)
and the Silk Road Project.
The Tengir
Too Ensemble includes Kenjegul Kubatova,
whose sweet alto voice is the perfect
medium for Kirghiz songs; the luthist
Gulbara Baigashkaeva, master of the komic,
a three-stringed lute which is "the
national instrument" of
the Kirghiz; and Asylbek Nasirdinov,
who plays the qyl-qiyak, an
upright bowed fiddle with two horsehair
strings, which has ties with ancient
shamanic rites.
By special invitation,
Zainidin Imanaliev follows an old tradition:
as virtuoso soloist, he is not only
an instrumentalist and singer but also
the storyteller whose job it is to
delight the public.
With
the support of Aga Khan Trust for Culture
AND
The Aga Khan Music
Initiative in
Central Asia (Akmica)
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